If you are a self-publishing author, you probably know that a critique is far more than someone looking at your manuscript and telling you that a character’s eye colour has changed halfway through the book, or that you have a saggy middle (the book, not you, although it is an occupational hazard).
Critiques can help you tighten up your story, make the flow better, highlight strengths and weaknesses, and show any problems that need to be addressed before you move forward. A critique is an impartial analysis and assessment of your book that you just can’t get from family and friends.
But did you realise that if you are a non-fiction author critiques are just as valid?
Generally a non-fiction critique will still address flow but it will address the following:
Content – does it capture the reader’s attention, is the idea a good one, are there things that need adding or deleting, and does it make sense?
Presentation and Format – is it arranged logically, is the style appropriate?
Pace – is the book paced right or is it too fast or too slow?
Voice – is the voice appropriate for the intended audience?
Marketability – will anyone actually buy the book?
Writing – is the spelling, punctuation, grammar, language, structure and the overall writing of the book in order or does it need attention?
Of course, this isn’t all of what a critique involves, but you get the idea. Non-fiction books need love and attention too and just because you have a brilliant premise it doesn’t mean that you can write the next best-selling non-fiction tome. There is just as much competition for capturing a non-fiction audience as there is for a fiction one.
But isn’t a critique a waste of money? Can’t you just get your friends to read your book and comment on it?
Well, no and no. When you give friends, family and acquaintances your book to read it can be scary, but most people will tell you what you want to hear. For one thing they’re not trained to objectively dissect a manuscript, or know what to look out for. Friends don’t want to hurt your feelings, and while editors don’t want to do that either, we will tell you what is best for your book.
It’s not cheap but it could actually save you money. Here’s how:
So when you have that book written and you’re not sure whether to hire a developmental editor, a copy-editor, or if you think it’s perfect and you want to rush into hiring a proofreader, take a step back and ask yourself whether you are really ready. By arranging a critique you can look at the whole picture and address the issues raised before hiring an editor to carry out a more in-depth edit. And it might just save you money.
If you would like to hire me to critique your book, contact me and we can chat.